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Stories of Now EP

by Cat Russo

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1.
EMPIRE 03:20
what if it’s in the rush of streetlights outside this car window? wish I could narrow it down to less words and make it sound simple - is it in the fact i make sense to you and you make sense to me, devoid all of rethorics - or the sum of these things? I, I, I never was one to hide in the obvious retreat of shadows but you’re in my empire now to my delight and I’ll be damned if I will let go i grab what i can and get thrown into noise incapable of belonging maybe you let me feel what it means to be safe when i shroud myself in easy worry do i have to, do I need to spell out to you what we’re doing here, listen you’re the gravity I pull onto myself all those times I realize it’s missing. not even one atom not even if you go not ever I, I, I never was one to hide in the obvious retreat of shadows but you’re in my empire now to my delight and I’ll be damned if I will let go
2.
BETWEEN 03:09
Harper, remember when I should have hated you and I didn’t? when I believed I could share you turns out I couldn’t. how don’t you know this is I what I came for? not a dream, not a vision - just a chance to feel you close Harper, did you get my last note? where i called you unexpected not the way you took it but the way i meant it how don’t you know this is what I came for not a dream, not a vision - just a chance to feel you close your eyes your eyes I know your eyes your eyes I know they hold my undivided attention how don’t you know this is what I came for not a dream, not a vision - just a chance to feel you close not a dream, not a vision - just a chance to feel you close
3.
ASCENSION 02:31
tell me if you believe as I do there was no mistake at all in my creation i was shaped from leftover truth if only I could be bothered by this information defiant like the words of Moses come hell and high waters come hell and high wa-ters the stone that cracked Goliath’ skull open my love is forgiveness my love is forgi-ven have you ever seen the garden the place where it started the place where it ended bend the Word as much as you can her hands on my shoulders take the weight off the burden defiant like the words of Moses come hell and high waters come hell and high wa-ters the stone that cracked Goliath’ skull open my love is forgiveness my love is forgi-ven
4.
INTERFERENCE 02:18
not the evidence of it not the possibility you drew circles around us for the sake of it like a rain above us of questions over questions is this what really matters? is this what you want? and if we said yes to whatever you asked would it make our love fit right to your norm? not the obvious either not the mystery you ran interference for the sake of it is this what really matters? is this what you want? and if we said yes to whatever you asked would it make our love fit right to your norm?
5.
WELLS '94 03:02
Lyrics: Close to me like a porthole view to a valley, “I’m always here” you said; but you were not. I hid from everything till you hid from me and I was finished, ridiculous by my own standards - come back to me, and if it were not so heavenly, it would be shameful to fall all over. if you’d call me and if you were not so you I’d be there close to you in a second. unlike a memory of a different life, how are you so bright and defined? when all i have done is try to confine you to a name (a memory). and I fell all over that’s how i am torn like it’s 1994 thorn in my side of the valley. (torn in my side of the valley) of the valley (torn in my side of the valley) come back to me, and if it were not so heavenly, it would be shameful to fall all over. if you’d call me and if you were not so you I’d be there close to you in a second.
6.
the windows are open, but it took me a decade - I got here this morning, I got here unscathed. there was two of me, two of the same: both lacked the habit of staying sane. can you believe it? I filled all my scenes, the dialogues that mattered existed unscripted: once spoken they’re useless, but then she claimed me declared me living I lifted my shoulders more times than I could count to signal that I’d had more than enough. no one got the clue, not you, not at all. I was fit for nothing, too big or too small. can you believe it? I filled all my scenes, the dialogues that mattered existed unscripted: once spoken they’re useless, but then she claimed me declared me living you won’t, you won’t you won’t, you won’t believe it you’ll find love up on the hills like a mirror on the mountain so high and blinding so high and blinding you won’t believe it can you believe it? I filled all my scenes, the dialogues that mattered existed unscripted: once spoken they’re useless, but then she claimed me declared me living no one got the clue, not you, not at all you won’t, you won’t you won’t, you won’t believe it
7.

about

Freely inspired by stories of women who love women:

± A Story of Now + The Sum of These Things (Emily O'Beirne)
± The Space Between (Michelle Teichmann)
± Her Name in The Sky (Kelly Quindlen)
± Interference (Zoe Reed)
± Poppy Jenkins (Clare Ashton)
± Living (Lise Gold)

credits

released April 2, 2021

'EMPIRE', 'BETWEEN', 'ASCENSION', 'INTERFERENCE' and 'WELLS '94' - Written, arranged and produced by Cat Russo.

'SLIM AARONS' & 'ASCENSION (Rework)' - Written, arranged and produced by Cat Russo & BSPHRS.

Mixed and Mastered @ KCR, March 2021.

Cover Art by Sjöström.

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Cat Russo Lisbon, Portugal

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